Biography of Muhammad Iqbal Varda, written by his beloved brother Aziz Varda.
PART 1:
Muhammad Iqbal Varda was born on the 7th of November 1947, DSM, Tanzania. The name ‘Iqbal’ was given to him by his father inspired by the great poet Allama Iqbal of Pakistan. Iqbal Varda hailed from a musical background as father and uncles had their music group known as ‘Varda Brothers.’ When Iqbal was barely 5 years old, he started singing in mehfils with uncles. This describes his childhood induction to singing. He won the 1st prize in ‘Children Singing Competition’ held at the Mnazi Moja ground on Eid Day in June 1954. His name appeared in a Gujarati newspaper ‘Africa Samachar’ that reported ‘A young child Iqbal Varda aged 7 was just wonderful!’
Every evening normally when all kids reluctantly sat by the study table, a 7 years old kid chose to be different. Enchanted by the soothing voice of Moh’d Rafi which wafted in the air, the young boy passionately stuck his ears over ‘All India Radio’ and keenly listened to Rafi songs which gradually stimulated the dormant interest of the boy. He picked up the singing style of Rafi and rudiments of music from his father Nurmohamed Varda as he had already a blessed and God gifted voice. Thus, Iqbal’s inspiration in singing was Moh’d Rafi’s voice. Years later, the quiet boy grew up to create a mark in the history of Tanzania music when he decided to become a Singer. His father, spotting a hidden talent inside him, first and foremost taught him to play harmonium and table (Indian instrument) and gave him lessons of classical ragas and beats. Within no time the boy scaled the heights of stardom after long hours of practice on instruments and vocal training in singing. At the age of 17 his popularity grew remarkably and he was hired to play tabla with the biggest musicians of the time. His renderings of Rafi songs, ghazals, bhajans and quawwalis were also greatly acclaimed whenever he got a chance to sing in public and mehfils. His renderings of the ghazals with perfect Urdu diction of the great poets like Mirza Ghalib and his contemporaries were incomparable and definitive at the young age.
When he travelled to Limbe, Malawi with his father for couple of shows at the age of 20, he won the hearts of the audiences with his rich powerful voice blessed with an exceptionally wide range that encompassed three distinct vocal styles, a piercing falsetto, a smooth mid-range tenor and a deep bass growl as Iqbal combined great technical prowess with rare musical individuality for his ability to sing and at the same time play toughest instrument ‘tabla,’ a rare quality found in few gifted artistes in the world. To play tabla, needs profound energy to produce ‘sargam’ sound using both hands and force from arms and rolling fingers which is tiring. Singing also needs control over breathing and emit vocal sounds without cracking or missing a note. Iqbal possessed that stamina as he could swiftly play for hours singing melodiously with great ease and control physically and vocally.
There was a visiting ‘Suleman Quawwal’ group from South Africa in concert at Limbe, Malawi. The organizer invited father to attend the show and requested the Quawwal to allow father and son from Tanzania to share the stage for 15 minutes. Within no time, the young boy Iqbal took the audience by storm when he sang Moh’d Rafi songs! The audience went wild when he sang Rafi’s classical number ‘Madhuban meh Radhika nachere’ with sargams at the same time rolling his fingers efficiently on tabla without missing a single beat while singing the difficult song. Public demanded to extend time for the young Iqbal to continue. After the show, Suleman Quawwal requested our father if he could take Iqbal to South Africa and tour around the world to which our father did not comply.
Back in DSM, Iqbal turned out to be the most sought after tabalchi (tabla player) and played for prominent music groups of the time. He sang one or two songs in the group during ‘Jammashtmi Fete’ held every year at the Patel Ground (now Dar Brotherhood.) Taj Esmail (Taju), a musician with amazing command over the harmonium, heard Iqbal and they became friends instantly. Taju assembled a group of artistes and formed a music group ‘Taju & Party’ that presented Iqbal as a lead singer. During that time in sixties, ‘Radio Tanzania DSM’ used to air a special weekly program for the Asian community titled ‘Aaj Ke Siataare’ where various Asian individual artistes and music groups got a platform to exhibit their talent by singing live on the Radio. It was one of the most popular shows in those days. Taju & Party too, got an opportunity to perform. During sixties, songs of Moh’d Rafi were a craze and Iqbal sang his songs through his stunning and mercurial voice doing justice to Rafi Sahab! Their performance was highly acclaimed by the listeners. Iqbal became a star overnight! Due to great success of the show, Taju & Party was the only group invited again by RTD due to the public demand and once again, they smashed the record giving a wonderful show! Young Iqbal became the symbol of inspiration to many youths of that time. Hence, naturally we too, as his younger brothers became his fans and held him in high esteem as our ‘Idol’, ‘Mentor’ and our motivation for he laid the foundation of music for future Varda Arts renaissance of Tanzania music. It was after this Radio program, Taju & Party got invitations to perform at various places like New Palace Hotel and private parties and became so famous that they had no free dates for bookings. The bond between Taju and Iqbal grew so strong that they remained loyal friends for the rest of their lives and Taju is like our family member even today. As a young boy, I was a huge fan of Taju Bha. Through his magical fingers he could produce Indian and Western sound on the harmonium and likewise Iqbal could produce Indian and Western beats from tabla! It was always exciting to watch both when they played instrumental music (Jugalbandi) that combined Indian classical ‘nagin’ music and Western ‘come september’ music at the same time which was so endearing and magically captivating! Taju & Party came to an end when Taju moved to Canada for good.
Humble, yet a giant among musicians, Iqbal Varda was a man of tremendous integrity. He was a pious person who rarely missed his Namaaz. He had no addiction to any kind of recreational drugs. He would always separate his income from his earnings to spend on good causes. Having a full meal before the show would not affect his singing. Iqbal believed one should live with times. People’s taste in music change likewise artistes should change their perceptions and sing for what their audience want.
PART 2:
Over the years Iqbal meticulously acquired extraordinary vocal command and virtuosity that enabled him to render an incredibly diverse range of sub-genres and range of music notes in a manner that was breathtaking as it was deeply profound to the minds and hearts of his audience. Whether it was a serious number like ‘Duniya ke Rakhwale’ or an item number like ‘Baby Doll’,classical song like ‘Laga chunari meh Dhaag’ or a Punjabi Bhangra or Gujarati Dandiya, he would sing with ease and had no constraints in his ability to produce sheer excellence and magic. He was a poet who could deliver ‘shairi’ on spot. His incredible versatility was matched by sheer virtuosity, the like of which is unlikely to be repeated. At the age of 73, he did not suffer from any ailments or syndromes like pressure or sugar, etc. He could go on singing non-stop without a break for 2 hours or more with great enthusiasm and zeal with his audience on the dance floor. He was jovial. He loved people. His fans belonged to all sections and ages. He always carried sweets in his pocket and whenever kids came to him for a song request, he would offer them sweets! He had a powerful memory and could remember the names and favourite songs of his fans even after a span of 3 years! Words cannot do justice to comprehend what this singer was about.
Twenty or more patriotic songs having sung for his beloved nation Tanzania indicates Iqbal Varda’s patriotism and love for his country. He has sung for countless charitable organizations to raise funds for the less privileged in the society. He has performed for the ruling party CCM countless of times. His participation to entertain 2000 members of Parliament in 1987 at Kizota, Dodoma during first party election is unmatchable. He has a glorious background having performed in the presence of great artists of Bollywood that include the great Playback Singer Mahendra Kapoor, Dilip Kumar the great, and the king of comedy Mehmood among others and not forgetting to have entertained the victorious World Cup title holders cricket team of India, the great Kapil Dev in DSM. He has entertained the Prime Minister of India Hon. I.K. Gujral and the Hon. President of India Dr. APJ Abdul Kalam during their individual visit to Tanzania. He has performed in the presence of the Father of the nation Mwalimu J.K. Nyerere, President Ali Hassan Mwinyi, President Benjamin William Mkapa, President Jakaya Mrisho Kikwete and Hon. Salim Ahmed Salim, the former Secretary General of OAU (Oragniation of African Unity)
Iqbal Varda has written, composed and sung many Naats for the Ismailia Community’s spiritual leader His Highness Shah Karim Aga Khan. He has also sung for the entire Memon Jamaat internationally. He has served performing for the Hindu Community during their spiritual Navratri festivals constantly for ten years. Through Varda Arts he has been awarded by the Sunni Muslim Jamaat ‘United Cutchi Youths’ for raising funds for the construction of the Cutchi Hall in DSM and I can keep on writing volumes about his notable work to this nation for both, the African and the Asian communities of Tanzania at large without any help by individuals or from the Government.
The purity of his voice reflected purity of his ideals and heart. He was not affected by his greatness and his fame never superseded human and social ethics for this religious and unassuming maestro, completely lacking in ego so commonly found in the world of show business for a man having strode the music stage and reign for six decades leaving behind a rich and varied legacy of Varda Arts is what every music lover is grateful for.
Iqbal was the pride of Tanzania. Once, while performing at the New Africa Hotel, an old man with a long grey beard and Turban from Amritsar, Punjab, India, came to Iqbal and complimented him saying, “Your voice is believing in what its conveying, it is amazingly close to Rafi Sahab’s voice, are you from India?” Iqbal said, “No, we are born in Tanzania, we are Tanzanians.” “This is unbelievably incredible!” He reacted shockingly. Iqbal added, “We are all brothers.” The old man’s instant reaction was typical Sikh type as he said, “Then you are the 8th wonder of the world!” Thus, Tanzania has lost a gem, an icon, for if there was no Iqbal Varda, there would be no Varda Arts! Iqbal Bha had a strong connection with his mother and coincidently on the 27th June 2020, his body was laid to rest just beside his beloved mother’s grave.
We often take for granted contributions of many heroes. Iqbal Varda was one of these heroes. The nation has benefited in some way by his many contributions. He is an unsung hero of our field and he will be dearly missed by many who have been touched by his passing away.
‘Nations are so reluctant to value the works and contributions of their children when they are still alive. It is not until they are buried and their bodies transform to sand and their souls are forgotten that their work will be honored.’ – Shaaban Robert.
Muhammad Iqbal Varda was born on the 7th of November 1947, DSM, Tanzania. The name ‘Iqbal’ was given to him by his father inspired by the great poet Allama Iqbal of Pakistan. Iqbal Varda hailed from a musical background as father and uncles had their music group known as ‘Varda Brothers.’ When Iqbal was barely 5 years old, he started singing in mehfils with uncles. This describes his childhood induction to singing. He won the 1st prize in ‘Children Singing Competition’ held at the Mnazi Moja ground on Eid Day in June 1954. His name appeared in a Gujarati newspaper ‘Africa Samachar’ that reported ‘A young child Iqbal Varda aged 7 was just wonderful!’
Every evening normally when all kids reluctantly sat by the study table, a 7 years old kid chose to be different. Enchanted by the soothing voice of Moh’d Rafi which wafted in the air, the young boy passionately stuck his ears over ‘All India Radio’ and keenly listened to Rafi songs which gradually stimulated the dormant interest of the boy. He picked up the singing style of Rafi and rudiments of music from his father Nurmohamed Varda as he had already a blessed and God gifted voice. Thus, Iqbal’s inspiration in singing was Moh’d Rafi’s voice. Years later, the quiet boy grew up to create a mark in the history of Tanzania music when he decided to become a Singer. His father, spotting a hidden talent inside him, first and foremost taught him to play harmonium and table (Indian instrument) and gave him lessons of classical ragas and beats. Within no time the boy scaled the heights of stardom after long hours of practice on instruments and vocal training in singing. At the age of 17 his popularity grew remarkably and he was hired to play tabla with the biggest musicians of the time. His renderings of Rafi songs, ghazals, bhajans and quawwalis were also greatly acclaimed whenever he got a chance to sing in public and mehfils. His renderings of the ghazals with perfect Urdu diction of the great poets like Mirza Ghalib and his contemporaries were incomparable and definitive at the young age.
When he travelled to Limbe, Malawi with his father for couple of shows at the age of 20, he won the hearts of the audiences with his rich powerful voice blessed with an exceptionally wide range that encompassed three distinct vocal styles, a piercing falsetto, a smooth mid-range tenor and a deep bass growl as Iqbal combined great technical prowess with rare musical individuality for his ability to sing and at the same time play toughest instrument ‘tabla,’ a rare quality found in few gifted artistes in the world. To play tabla, needs profound energy to produce ‘sargam’ sound using both hands and force from arms and rolling fingers which is tiring. Singing also needs control over breathing and emit vocal sounds without cracking or missing a note. Iqbal possessed that stamina as he could swiftly play for hours singing melodiously with great ease and control physically and vocally.
There was a visiting ‘Suleman Quawwal’ group from South Africa in concert at Limbe, Malawi. The organizer invited father to attend the show and requested the Quawwal to allow father and son from Tanzania to share the stage for 15 minutes. Within no time, the young boy Iqbal took the audience by storm when he sang Moh’d Rafi songs! The audience went wild when he sang Rafi’s classical number ‘Madhuban meh Radhika nachere’ with sargams at the same time rolling his fingers efficiently on tabla without missing a single beat while singing the difficult song. Public demanded to extend time for the young Iqbal to continue. After the show, Suleman Quawwal requested our father if he could take Iqbal to South Africa and tour around the world to which our father did not comply.
Back in DSM, Iqbal turned out to be the most sought after tabalchi (tabla player) and played for prominent music groups of the time. He sang one or two songs in the group during ‘Jammashtmi Fete’ held every year at the Patel Ground (now Dar Brotherhood.) Taj Esmail (Taju), a musician with amazing command over the harmonium, heard Iqbal and they became friends instantly. Taju assembled a group of artistes and formed a music group ‘Taju & Party’ that presented Iqbal as a lead singer. During that time in sixties, ‘Radio Tanzania DSM’ used to air a special weekly program for the Asian community titled ‘Aaj Ke Siataare’ where various Asian individual artistes and music groups got a platform to exhibit their talent by singing live on the Radio. It was one of the most popular shows in those days. Taju & Party too, got an opportunity to perform. During sixties, songs of Moh’d Rafi were a craze and Iqbal sang his songs through his stunning and mercurial voice doing justice to Rafi Sahab! Their performance was highly acclaimed by the listeners. Iqbal became a star overnight! Due to great success of the show, Taju & Party was the only group invited again by RTD due to the public demand and once again, they smashed the record giving a wonderful show! Young Iqbal became the symbol of inspiration to many youths of that time. Hence, naturally we too, as his younger brothers became his fans and held him in high esteem as our ‘Idol’, ‘Mentor’ and our motivation for he laid the foundation of music for future Varda Arts renaissance of Tanzania music. It was after this Radio program, Taju & Party got invitations to perform at various places like New Palace Hotel and private parties and became so famous that they had no free dates for bookings. The bond between Taju and Iqbal grew so strong that they remained loyal friends for the rest of their lives and Taju is like our family member even today. As a young boy, I was a huge fan of Taju Bha. Through his magical fingers he could produce Indian and Western sound on the harmonium and likewise Iqbal could produce Indian and Western beats from tabla! It was always exciting to watch both when they played instrumental music (Jugalbandi) that combined Indian classical ‘nagin’ music and Western ‘come september’ music at the same time which was so endearing and magically captivating! Taju & Party came to an end when Taju moved to Canada for good.
Humble, yet a giant among musicians, Iqbal Varda was a man of tremendous integrity. He was a pious person who rarely missed his Namaaz. He had no addiction to any kind of recreational drugs. He would always separate his income from his earnings to spend on good causes. Having a full meal before the show would not affect his singing. Iqbal believed one should live with times. People’s taste in music change likewise artistes should change their perceptions and sing for what their audience want.
PART 2:
Over the years Iqbal meticulously acquired extraordinary vocal command and virtuosity that enabled him to render an incredibly diverse range of sub-genres and range of music notes in a manner that was breathtaking as it was deeply profound to the minds and hearts of his audience. Whether it was a serious number like ‘Duniya ke Rakhwale’ or an item number like ‘Baby Doll’,classical song like ‘Laga chunari meh Dhaag’ or a Punjabi Bhangra or Gujarati Dandiya, he would sing with ease and had no constraints in his ability to produce sheer excellence and magic. He was a poet who could deliver ‘shairi’ on spot. His incredible versatility was matched by sheer virtuosity, the like of which is unlikely to be repeated. At the age of 73, he did not suffer from any ailments or syndromes like pressure or sugar, etc. He could go on singing non-stop without a break for 2 hours or more with great enthusiasm and zeal with his audience on the dance floor. He was jovial. He loved people. His fans belonged to all sections and ages. He always carried sweets in his pocket and whenever kids came to him for a song request, he would offer them sweets! He had a powerful memory and could remember the names and favourite songs of his fans even after a span of 3 years! Words cannot do justice to comprehend what this singer was about.
Twenty or more patriotic songs having sung for his beloved nation Tanzania indicates Iqbal Varda’s patriotism and love for his country. He has sung for countless charitable organizations to raise funds for the less privileged in the society. He has performed for the ruling party CCM countless of times. His participation to entertain 2000 members of Parliament in 1987 at Kizota, Dodoma during first party election is unmatchable. He has a glorious background having performed in the presence of great artists of Bollywood that include the great Playback Singer Mahendra Kapoor, Dilip Kumar the great, and the king of comedy Mehmood among others and not forgetting to have entertained the victorious World Cup title holders cricket team of India, the great Kapil Dev in DSM. He has entertained the Prime Minister of India Hon. I.K. Gujral and the Hon. President of India Dr. APJ Abdul Kalam during their individual visit to Tanzania. He has performed in the presence of the Father of the nation Mwalimu J.K. Nyerere, President Ali Hassan Mwinyi, President Benjamin William Mkapa, President Jakaya Mrisho Kikwete and Hon. Salim Ahmed Salim, the former Secretary General of OAU (Oragniation of African Unity)
Iqbal Varda has written, composed and sung many Naats for the Ismailia Community’s spiritual leader His Highness Shah Karim Aga Khan. He has also sung for the entire Memon Jamaat internationally. He has served performing for the Hindu Community during their spiritual Navratri festivals constantly for ten years. Through Varda Arts he has been awarded by the Sunni Muslim Jamaat ‘United Cutchi Youths’ for raising funds for the construction of the Cutchi Hall in DSM and I can keep on writing volumes about his notable work to this nation for both, the African and the Asian communities of Tanzania at large without any help by individuals or from the Government.
The purity of his voice reflected purity of his ideals and heart. He was not affected by his greatness and his fame never superseded human and social ethics for this religious and unassuming maestro, completely lacking in ego so commonly found in the world of show business for a man having strode the music stage and reign for six decades leaving behind a rich and varied legacy of Varda Arts is what every music lover is grateful for.
Iqbal was the pride of Tanzania. Once, while performing at the New Africa Hotel, an old man with a long grey beard and Turban from Amritsar, Punjab, India, came to Iqbal and complimented him saying, “Your voice is believing in what its conveying, it is amazingly close to Rafi Sahab’s voice, are you from India?” Iqbal said, “No, we are born in Tanzania, we are Tanzanians.” “This is unbelievably incredible!” He reacted shockingly. Iqbal added, “We are all brothers.” The old man’s instant reaction was typical Sikh type as he said, “Then you are the 8th wonder of the world!” Thus, Tanzania has lost a gem, an icon, for if there was no Iqbal Varda, there would be no Varda Arts! Iqbal Bha had a strong connection with his mother and coincidently on the 27th June 2020, his body was laid to rest just beside his beloved mother’s grave.
We often take for granted contributions of many heroes. Iqbal Varda was one of these heroes. The nation has benefited in some way by his many contributions. He is an unsung hero of our field and he will be dearly missed by many who have been touched by his passing away.
‘Nations are so reluctant to value the works and contributions of their children when they are still alive. It is not until they are buried and their bodies transform to sand and their souls are forgotten that their work will be honored.’ – Shaaban Robert.
Muhammad Iqbal Varda (Known as Muhammad Rafi of Tanzania. ) Passed away on 26th June, 2020. His brother Aziz Varda wrote about him.
Losing a great brother like him is painful. Now that he has passed away, of course there is emptiness and pain, as to share a stage for 40 years together and all of a sudden you find changes as per team, will live in our heart for a long time! There were many wonderful aspects in our eldest Brother Iqbal Varda’s life that has touched our life. He had a great sense of humor and wrote humorous songs. He was 73 but he was as stylish and youthful as a young man of 37! When he was asked about the secret of looking young, he would say, “music keeps you young.”Few knew him by his name as some called him Moh’d Rafi, some Dev Anand and some Jamila Wangu! He led a happy go lucky life and a life of his own. He used to rehearse every morning on the harmonium to keep his vocals fit except during the month of Ramadhan. He would never have breakfast, lunch or dinner without his soft-spoken wife Shamim beside him. He was known for his witty shairis and would always say, “Siasat Dilonko todti hai, Shayar Dilonko jodta hai!” He will be remembered as a wonderful brother, great friend, a faithful husband, a caring father and a generous uncle. But in many ways, he will live in our stories, experiences and in what all of us have become because of him.
He was in the hospital for 2 weeks. During the last days when I entered the hospital ward at a time he was battling for life like a brave warrior, he called me by his side and kissed my hand saying, “my time has come,” then he added, “Aziz, I have no regrets.. I have lived my life giving happiness to many for 40 years,” and he paused as he watched tears rolling down my eyes. He smiled and said, “I’m joking, and you know how I am!” I burst out shedding tears and he called my daughter Rukhsaar with passionate love and affection, kissed her palm and hugged her tightly saying, “You Daddy is brave outwardly..take care of him..” He looked at his wife sitting beside him, held her hand and said, “I don’t want to leave you.. I can still feel the sweet intoxication of love.. I’ve talked with Reshma and Sharmin (his daughters in South Africa and Indonesia) through video call.. I am satisfied..both of them have turned out to be good people.. and there was an uncontrollable weeping hence the nurses entered the ward and he started laughing, saying, “Nawataniahawa..” and started singing, “Maridadi sana,, Maridadi sana!” for them! We were asked to leave the ward immediately while he was heard saying, “Tell everyone when I come out, we’ll make them happy again..”and the door slammed shut. This was an unforgettable moment of our life as after 2 days he breathed his last! Iqbal Bha suffered from acute Jaundice that caused internal bleeding and kidney failure during the last stage.
Our special thanks to Dr. Jafferji and his team of Doctors and Nurses at the TMJ Hospital who tried their best to save his life. To the Aga Khan Hospital, Amin Habib and his team for their timely efforts. To the G1 Security Ambulance team for their outstanding support for their free service twice. To Fazle Abbas Dhirani who availed blood replacements. To all those who called us for any help and we learnt Tanzania belongs to a tribe of helpers. And finally to all Iqbal Bha’s countless friends and fans in Tanzania and overseas who have prayed for his soul when they got the news of his sudden demise and consoled us through phone-calls and social media. Our special thanks to all the waiters at various hotels who called us and consoled us. When the waiters at Mela Restaurant literally wept, it made me wonder how Iqbal Bha must have treated them all these years! In our family, he was, WadoBha, IqbalBha and Iqbal uncle.. Now we realize that he was Iqbal Varda!
Our apologies to hundreds of his fans who were hurt for having not being able to give their last respects to their beloved artiste for it was not possible for us to accommodate a huge gathering as we were strictly instructed to limit the funeral with close relatives due to Covid-19 situation.
We are sorry to announce that we will resume performing after 4 weeks, Inshallah.
To IqbalBha, “Roothkarhumsekabhi, Jab chalejaoge tum, yeh nah sochathakabhi, Itnayaadaoge tum. .!”
VARDA ARTS IS WISHING YOU ALL MERRY CHRISTMAS AND A HAPPY NEW YEAR 2019
HERE IS IQBAL VARDA WISHING YOU ALL MERRY CHRISTMAS BY SINGING JINGLE BELLS
Song from the movie Maridadi
In spite of less available technology and set-backs during the time of making ‘Maridadi’ (1993) as a first Tanzanian movie remains a masterpiece of popular ‘Bongo Movies’ now made in our country. It should be noted that there were no Television channels until then. The first Television channel CTN started in 1994 followed by others later. Professional cameras, boom-mics, editing machines, etc for shooting were not available in the country! Despite the hurdles, movie ‘Maridadi came with Direction, Production, Technique, Story-Telling, Song-Writing, Singing, Scripting, Back-Ground Music, Dances, Performances, Dialogues, Screen-Play, Editing, Camera-Work, Set-Designing, Lighting, Costumes. .etc all coming together as a perfect whole by four brothers, Aziz, Iqbal, Yunus Senior and Yunus Junior as the pioneers in Film-Making known as, the Varda Arts!
Elsewhere, the pioneers in film-making are dealt with much respect. Their artistic works are preserved for historical records with honorary tribute.
Elsewhere, the pioneers in film-making are dealt with much respect. Their artistic works are preserved for historical records with honorary tribute.
In the movie 'Maridadi', Varda Arts introduced first 'Swahili Birthday' song as never before written, composed and sang by Yunus Senior. This song was used by Radios during 'Birthday Greetings Programs.'
Today, techniques may have improved hundred-fold. Modern budgets allow for lavish sets. But even today, watching 'Maridadi', again proves one thing : Whether in department of acting, direction, scripting or music, talent always wins over technique.
Today, techniques may have improved hundred-fold. Modern budgets allow for lavish sets. But even today, watching 'Maridadi', again proves one thing : Whether in department of acting, direction, scripting or music, talent always wins over technique.
What the media say about transformation of Tanzanian Music
"Naomba usibishe hapo.. mwanzo tulikuwa na utamaduni wetu.. tuliimba nyimbo za kuusifu.. hata muziki wetu ulikuwa wa kizalendo.. waliibuka vijana na kuutukuza.. Watanzania wenye asili ya kiasia walijitokeza na kuimba kutetea utamaduni wa Bongo 'Tazamia Tanzania' Yafaa tukumbuke tuliaswa vipi.."
'Watanzania taifa lisilo na utamaduni wao ni sawa na watumwa' - Nyerere.. By Deus Bugaywa
"Mtoto anayemaliza darasa la Saba leo anajengwa zaidi fikra kwa mtazamo wa magaribi na aina ya maisha anayoyaona mjini kama ni wa kijijini, au kwenye luninga.. Sehemu pekee ambayo ingeweza kujenga Utanzania wa mtoto huyu ni Shuleni amabako ilitarajiwa kama taifa lililo huru, linajenga moyo wa uzalendo na utaifa kwa watu wake" - By Deus Bugawaya
'Watanzania taifa lisilo na utamaduni wao ni sawa na watumwa' - Nyerere.. By Deus Bugaywa
"Mtoto anayemaliza darasa la Saba leo anajengwa zaidi fikra kwa mtazamo wa magaribi na aina ya maisha anayoyaona mjini kama ni wa kijijini, au kwenye luninga.. Sehemu pekee ambayo ingeweza kujenga Utanzania wa mtoto huyu ni Shuleni amabako ilitarajiwa kama taifa lililo huru, linajenga moyo wa uzalendo na utaifa kwa watu wake" - By Deus Bugawaya
Swahili movie 'MONICA'
The ongoing battle of justice for deserted children in the country was raised earlier in the film 'MONICA' written, produced and directed by Varda Arts. The movie was released in 1998 at the 'Starlight Cinema'. The Chief-guest Hon.Minister Mama Shamim Khan during the screening of the film literally could not hold back her tears viewing Monica struggle with an abandoned child. "You guys made my eyes wet. ." She emotionally said sitting beside me while watching the movie during the premiere show.
Though, at present, movies with social messages are more or less passe. However, Varda Arts belonged to the generation of artistes who tried their hardest to combine entertainment with a purpose either through their music or through their movies. 'MONICA' was highly acclaimed by critics at the ZIFF (Zanzibar International Film Festival) for its meaningful subject which, at one level seemed quite outdated, and at another, relevant in the conservative African and Indian scenario.
Men are hypocrites. On the one hand, we eulogize womankind as being noble and great as the embodiment of motherhood. When we want to give our nation the highest respect, Africans address it as 'Mama Yetu Tanzania' and Indians in India address it as 'Bharat Mata' but in practical life, we always give women the worst possible treatment. They are treated as slaves. Young daughters and children are raped in societies.
Even pet animals get better treatment in many homes. Cases of suicide, bride burning, child abuse, are still rampant in a so-called civilized world. The birth of a girl child is still considered a curse in our families. Why is it so? All these issues have been well scripted and exposed in the movie 'MONICA' that symbolize love, affection and warmth. Women deserve to be respected and put on a pedestal. They have as much right to happiness as any man.
Varda Arts' Swahili movie 'MONICA' was a fight for their rights of happiness.
Tanzania Media Womens Association (TAMWA) highly acknowledged Varda Arts' effort to highlight this issue. They never missed Varda Arts during their campaigns.
Though, the movie 'MONICA' may not be in the same league of contemporary Bongo action movies, but it had its heart in the right place, and even now, it succeeds in reducing audiences to tears.
Though, at present, movies with social messages are more or less passe. However, Varda Arts belonged to the generation of artistes who tried their hardest to combine entertainment with a purpose either through their music or through their movies. 'MONICA' was highly acclaimed by critics at the ZIFF (Zanzibar International Film Festival) for its meaningful subject which, at one level seemed quite outdated, and at another, relevant in the conservative African and Indian scenario.
Men are hypocrites. On the one hand, we eulogize womankind as being noble and great as the embodiment of motherhood. When we want to give our nation the highest respect, Africans address it as 'Mama Yetu Tanzania' and Indians in India address it as 'Bharat Mata' but in practical life, we always give women the worst possible treatment. They are treated as slaves. Young daughters and children are raped in societies.
Even pet animals get better treatment in many homes. Cases of suicide, bride burning, child abuse, are still rampant in a so-called civilized world. The birth of a girl child is still considered a curse in our families. Why is it so? All these issues have been well scripted and exposed in the movie 'MONICA' that symbolize love, affection and warmth. Women deserve to be respected and put on a pedestal. They have as much right to happiness as any man.
Varda Arts' Swahili movie 'MONICA' was a fight for their rights of happiness.
Tanzania Media Womens Association (TAMWA) highly acknowledged Varda Arts' effort to highlight this issue. They never missed Varda Arts during their campaigns.
Though, the movie 'MONICA' may not be in the same league of contemporary Bongo action movies, but it had its heart in the right place, and even now, it succeeds in reducing audiences to tears.
This old article published in Sunday news of March 8, 1992 by the most prominent Tanzanian photojournalist Muhindin Issa Michuzi who is well-known for initiating the 'Michuzi Blog.' Felt like sharing this with our well-wishers regarding the first ever 'Top-Ten Show' Competition held in our country in 1988.
Excerpt : "One significant thing during the Top-Ten Show competition is that Varda Arts were the only band who had no instruments of their own. . But they still managed to make history with what inferior equipment they had managed to hire and that is a landmark. . To have come up all the way as self-made artists, without asking any assistance from the government, donors or the Asian community, in itself is praiseworthy feat which should be emulated by others of their likes. ."
The writer mentioned this as there were other bands that refused to participate in the competition as it did not possess proper instruments. However, one should not forget that those days, even a string of 'Guitar' was not available in the country! To add here, only two days had remained for the competition and our main Key-Board player Rafik Farook became seriously ill! Instead of withdrawing ourselves from the competition, we decided to train Yunus Senior over Key-Board who had never played that instrument before. He practiced for 8 hours a day continuously for those two days and he did fairly well and we won against all odds averse to the seasoned artistes and well equipped bands!
The song was 'Tazama Tanzania' which was adjudged 8th out of 10 'Top-Ten Songs.' In 1989, the following year, Varda Arts's Song, 'Watoto' was also awarded for its merit and both songs have become timeless as they are still played over radios even after 30 years!
Thank you TANZANIA for the love showered upon us for all these years!
Excerpt : "One significant thing during the Top-Ten Show competition is that Varda Arts were the only band who had no instruments of their own. . But they still managed to make history with what inferior equipment they had managed to hire and that is a landmark. . To have come up all the way as self-made artists, without asking any assistance from the government, donors or the Asian community, in itself is praiseworthy feat which should be emulated by others of their likes. ."
The writer mentioned this as there were other bands that refused to participate in the competition as it did not possess proper instruments. However, one should not forget that those days, even a string of 'Guitar' was not available in the country! To add here, only two days had remained for the competition and our main Key-Board player Rafik Farook became seriously ill! Instead of withdrawing ourselves from the competition, we decided to train Yunus Senior over Key-Board who had never played that instrument before. He practiced for 8 hours a day continuously for those two days and he did fairly well and we won against all odds averse to the seasoned artistes and well equipped bands!
The song was 'Tazama Tanzania' which was adjudged 8th out of 10 'Top-Ten Songs.' In 1989, the following year, Varda Arts's Song, 'Watoto' was also awarded for its merit and both songs have become timeless as they are still played over radios even after 30 years!
Thank you TANZANIA for the love showered upon us for all these years!
After Varda Arts got officially registered, our first stage show with an orchestra was at IFM Hall.. We tirelessly practiced for two months.. The Chief Guest was Hon. Alnoor Kassam.. and the show was a Super Flop..!!! The amplifier that we had hired blew in-between our performance! We apologized to the audience but they kept shouting, booing, mocking, laughing and left the hall.. Seeing us disgraced, Hon. Alnoor Kassam consoled us by his encouraging remarks while our considerable efforts for the show were rolling down through our eyes in tears forcefully.. Critics had warned us not to venture in the music industry but to find a job instead.. We faced many failures and taunts may be rightly as music was not considered as a job in those days.. Against all odds, we gradually continued performing free as to be known at a time when we did not own our own microphone.. Though it took long hard working years of patience, struggle and perseverance to attain our goal, but our strong determination finally paid off.. Rome was not built in a day! This proverb and this story may be a source of encouragement to the younger generation.. In the first two pictures, Varda Arts being honored by the then President of Tanzania, Ali Hassan Mwinyi and then sixth Sec General of OAU (Organization of African Unity) Dr. Saalim Ahmed Saalim during shows!
Noorali and Kassamali, two friends were travelling to Canada to attend a wedding. Noorali saw an embroidered Pathani 'Kurti' in Kassamali's suitcase.
"Kassu, Bro, I love this Kurti! Can I borrow it? I want to impress the guests at the arrival and then will return it back!" Kassamali, however did not like the idea but somehow gave Noorali his Kurti.
Guests flocked to receive them at the Airport. Introducing Noorali to the guests, Kassamali said, "He is my famous friend Noorali who was in Canada but is now settled back in Tanzania with a T-Shirt printed 'Canada'.He is my neighbor at Upanga. He is noble, humble, gentle, and a good human being. The Kurti he is wearing is mine!" Noorali pushed Kassamali aside and whispered, "Yaar, why did you say this Kurti is yours?" "OK, I wont mention that again." Another group of guests came to welcome them and Kassamali introduced, "Meet my friend Noorali, the Kurti he is wearing is his!" Again, Noorali took him on the side, "Kassu, Yaar, why did you tell them this Kurti is mine?" Kassamali said, "Fine, now i will not say anything regarding this Kurti whether its mine or yours!" Next group came and Kassamali said, "He is my friend Noorali, I will not say anything about the Kurti he is wearing because he has told me not to tell anyone about this!"
"Tanzania thi aiwo maro friend Noorali, Kasubhai ni Kurti ene mongi padi gai. .!!"
Varda Arts - Jungbari
Varda Arts - Jungbari song!
Kacchi-Swahili language spoken among Zanzibari-Asians has been a landmark and an identity of Jungbaris (Zanzibaris) for years! It is so sweet to listen to Zanzibari-Asians speaking broken Kacchi replaced by Kiswahili!
Jungbaris are more comfortable with the use of the Swahili language in the family rather than their native language Kuchhi! They speak better Swahili than even the mainland Africans. We personally have always found it so pleasing and have admired their sweet flow of this mixed Kacchi-Swahili language. In this song 'Jungbari' we have tried to capture few cultural fabrics for East Africa's Gujarati families settled in Tanzania and Kenya as 'Kacchi' is deprived from Kutch district in Gujarat, India.
There is an unlimited joy for any music band to have their work accepted and appreciated!! Recently, a well wisher handed us a copy of the news paper 'Championi' dated 31st Jan 2016 that had carried Varda Arts story.. This is our true reward to be still remembered by the majority African community of Tanzania who since years have been showering their love and respect to value our art from the chore of their heart!!
In our time, we used to write and sing our own songs. Played and composed music in different languages including the rich Swahili East African language. Made music videos. Performed in Hotels and traveled throughout East Africa doing stage shows and live concerts in stadiums. We organized several International concerts with great artists like Dilip Kumar and Mahendra Kapoor in Tanzania. We had our Photography Studio and we wrote and published a picture-novel book called “Dr. Yes”. We did sound engineering, editing and mixing for movies in our studio. We worked as “Radio DJ” at F.M Radio Station as Producer and Presenter. We made several Swahili Movies, by Producing, Directing, Writing Story, Lyrics and Dialogues, also Singing, Acting, and giving Background music, as the pioneers in movie making in Tanzania now known as ‘Bongo Movies’. We worked with leading News Papers writing weekly columns and articles in several Magazines over cultural issues. We worked with a Television company where we Produced Documentaries, high profile Interviews, News Casting, while also writing and producing more than 100 Swahili Comedy and Drama Episodes that became highly famous. Whenever there was need to raise funds for a Charity Organization or a Political Campaign, we were the first to be remembered to ensure success, as Varda Arts was not only a name among Tanzanians of Asian and African Community and due to our contribution to the Nation’s cultural fabric, we were invited to perform in presence of the Father of the Nation Mwalimu Nyerere followed by the following three Presidents of Tanzania.
It was difficult to earn respect in the Entertainment Industry in our time. This was a big issue as music was looked down on as a ‘Time Pass’ hobby and not a serious profession. People advised us to ‘get a real job.’ That was a general perception of an artist those days. Sitting in a ‘Dala-Dala’ bus we hid our faces in order to not be recognized. For many years, we were made guilty for our profession and were given derogatory names as performing artists. We happily accepted that we shall spend our life in unhealthy criticism against us.
Internet brought the realization and changed the perception of our changing cultural trends with huge impact. Maria Richa Adhia Richa Adhia became a celebrity winning the crown of ‘Miss Tanzania.’ Businessmen now sing in our shows and do not feel inhibited in singing themselves with pride. We find Professional Models, Make-up Artists, Fashion Designers, Photographers, Event Organizers, Cake Designers, Singers, DJs and Sound Engineers doing commendable jobs connected to art with respect.
Our minds should not be clouded by negative elements of artists. At the same time artists should not look to those Businessmen with more wealth to see how they are living in comparison to their own lives wanting more success with short-cuts.
It was difficult to earn respect in the Entertainment Industry in our time. This was a big issue as music was looked down on as a ‘Time Pass’ hobby and not a serious profession. People advised us to ‘get a real job.’ That was a general perception of an artist those days. Sitting in a ‘Dala-Dala’ bus we hid our faces in order to not be recognized. For many years, we were made guilty for our profession and were given derogatory names as performing artists. We happily accepted that we shall spend our life in unhealthy criticism against us.
Internet brought the realization and changed the perception of our changing cultural trends with huge impact. Maria Richa Adhia Richa Adhia became a celebrity winning the crown of ‘Miss Tanzania.’ Businessmen now sing in our shows and do not feel inhibited in singing themselves with pride. We find Professional Models, Make-up Artists, Fashion Designers, Photographers, Event Organizers, Cake Designers, Singers, DJs and Sound Engineers doing commendable jobs connected to art with respect.
Our minds should not be clouded by negative elements of artists. At the same time artists should not look to those Businessmen with more wealth to see how they are living in comparison to their own lives wanting more success with short-cuts.
VARDA ARTS - ITV CLIP
This clip from ITV News Channel was aired on Sunday, 8th October 2017. We want to say, We appreciate you ITV! For remembering us, and reminding us of a different time of our life. This was the beginning of an era we unknowingly did not aim to create, but with God's grace and hard-work, we were able to achieve more love, success and achievements we did not think we ever could! Special 'Thank You' to Mr. Hemed Kivuyo of ITV
Muhammad Iqbal Varda on the right with his friend
It is Muhammad Iqbal Varda on the right (In red shirt) who composed songs like JAMILA WANGU, CANADA THI AIVO MARO FRIEND NURALI, HUU INDIA NO RAJA and many more songs.. He is blessed with the voice of Muhammed Rafi Sahab, the Legend.
Compliments are the reward of your work. Ashvin Bhai Mehta visiting Dar after 30 years from U.K with his family, was in attendance at Khana Khazana last Friday all in praise for us as he shared his feelings about how he viewed our performance according to his perception.
Often, people say nice things about us.. and for us, it becomes difficult to respond because we find the words like 'Thank you' too small for that!
We all like to be praised as it is human weakness. It will not be self-effacing if we shared this clip with our fans, because all praise belongs to God Almighty for the gift bestowed to us. We simply deliver this gift that rightly belongs to our audience and nothing more than that.
Often, people say nice things about us.. and for us, it becomes difficult to respond because we find the words like 'Thank you' too small for that!
We all like to be praised as it is human weakness. It will not be self-effacing if we shared this clip with our fans, because all praise belongs to God Almighty for the gift bestowed to us. We simply deliver this gift that rightly belongs to our audience and nothing more than that.
It was an honorable moment when Bhai Satish Joshi who has a deep knowledge of music and one of our well-wishers brought for us a book, 'Mile Sur' as a gift all the way from India and respectfully presented it to us last Wednesday at Hotel Sapphire.
Gifts do not matter, but the sentiments behind the gift matters a lot. For us, the value of this book of musical knowledge is an encouragement that money cannot buy. We all need cheerleaders like Satish Bhai in our lives who help us to move forward with hope and fortitude.
Gifts do not matter, but the sentiments behind the gift matters a lot. For us, the value of this book of musical knowledge is an encouragement that money cannot buy. We all need cheerleaders like Satish Bhai in our lives who help us to move forward with hope and fortitude.
It was an honor to meet and to know Maalim Seif Sharif Hamad, a Zanzibar Politician and a Sec. Gen. of the Civic United Front (CUF) and the First Vice President of Zanzibar
I would like to share this with all of you. . It was an honor to meet and to know Maalim Seif Sharif Hamad, a Zanzibar Politician and a Sec. Gen. of the Civic United Front (CUF) and the First Vice President of Zanzibar during one of his highly interesting and fascinating interview session at the CEN Television in 1997. .
Sunheri Yaadein : Iqbal Varda (varda arts' Rafi) on 'tabla' with 'Rasik Pandya & Party music group of Dar Es Salaam..Iqbal Varda was popularly known for his ability to sing while playing 'tabla' at the same time..rare talent in music-world..Next to him is a renowned singer Suresh Mehta..on looking is another notable singer Bhagwaan performing at a private function..!!!
The Great play-back singer of India, Mahendra Kapoorji on stage singing a duet with Yunus Varda
The Great play-back singer of India, Mahendra Kapoorji on stage singing a duet with Yunus Varda dressed and singing in female Salma Aga's voice (Dil ki yeh arzoo hai koi dilruba mile, from film Nikaah) At the fully packed Diamond Jubilee Hall in 1987. The notable singer also crowned Yunus Varda for his ability to do justice to the legendary Salma Aga's voice. Dilip Kumar with his wife Saira Banu, Comedy King Mehmood, First lady Mama Maria Nyerere, with 20 Tanzanian politicians were in attendance.
Varda Arts - Aga Khan Jubilee Song (Mera Koi Nahi Hai Tere Siwa)
We would like to thank the Ismaili Jamaat of Dar-es-Salaam, Tanzania, for giving us the opportunity to perform LIVE on the
Imamat Day, at the Diamond Jubilee Hall, on the 9th of July, 2017 commemorating the Diamond Jubilee 60th Anniversary of Mawlana Hazar Imam's accession to the Ismaili Jamaat.
We were fortunate to have performed during the Golden Jubilee celebrations 10 years ago in 2007 as well.
This is from us,
With Love, Peace and Brotherhood.
Imamat Day, at the Diamond Jubilee Hall, on the 9th of July, 2017 commemorating the Diamond Jubilee 60th Anniversary of Mawlana Hazar Imam's accession to the Ismaili Jamaat.
We were fortunate to have performed during the Golden Jubilee celebrations 10 years ago in 2007 as well.
This is from us,
With Love, Peace and Brotherhood.
VARDA ARTS COMPLETES 20 YEARS AT KHANA KHAZANA 1997-2017
Historical records are not intended to be created, they just happen. It is our jubilant day to have completed ’20 Years’ of entertainment at 'Khana Khazzana' where families flock to this famous place for fun gathering on Fridays. This day, our memory flash-back to 1997 when KK was under final stages of its construction and Akber bhai called us for our inputs on where to put up the stage and its needs.
During the span of 20 years, we have pleasant memories of our loyal fans who have shared their joy with us. It has been tough, to perform constantly without missing a single ‘Friday’ for 20 years no matter what! We have been offered lucrative amount to skip a Friday and perform elsewhere, but we have always resisted the temptation with thanks and have stuck to our principles and ethics of our profession, though we desperately have needed money!
We are humbled when groups of visitors from overseas book KK in advance, even before their arrival through travel agents like any other tourist attraction!
At times, we become mentally frustrated performing non-stop for 6 to 7 hours without a single break of even 5 mins to have a cup of tea! Under such pressure, we take full responsibility if we have hurt anyone’s feelings as we might have overlooked. To them, we say, “We are sorry!”
Thank you Akber Pirmohamed bhai, you never led us by authority showing off those familiar bossy attitudes but treated us like family with appreciable respect! Currently Minesh bhai does the same, Thank you Minesh bhai! Thank you Maashuk bhai, as a Manager you were caring and helpful and not like a school headmaster! Thank you to the service minded waiters of KK for being there for us till late hours! Thank you to our wives, you have sacrificed joyful moments of our life especially during holidays like Eid, Diwali, Easter, Christmas or New Year while we are always busy entertaining our fans, your timeless devotion has made us fall in love with you more than ever! Thank you to our beloved father and mother in Heaven, we believe it is your duas that we prosper united as brothers!
We are told to apply for the ‘Guinness Book of World Records’ but friends, it is our nature not to bother to win awards but to win people’s heart, because awards are decided by people, but people’s love is from God.
We have also completed 10 years at the New Africa Hotel and 5 years at Hotel Sapphire!
For us, you are our true honor and reward for having listening to us persistently for more than 35 years now and yet you are not tired of us. Your love has turned into a deep emotional bonding. What more can one wish to be bestowed upon such magnimous ‘reward’ by their fans?
Though we are not accomplished musicians, but you all have been so kind to pardon our imperfections! Thank you again for grooming Varda Arts as you have made us what we are!
Thank you Allah for the attributes giving us more than what we deserve! After so many ‘Thank yous’, please look around for someone in need, help them, or with your kind words, and feel the joy of ‘Thanks’!
With kind regards from Iqbal Varda, Yunus Senior, Yunus Junior and Aziz Varda. Love you all!!VARDA ARTS COMPLETES 20 YEARS
Former President of Tanzania, Hon. Ali Hassan Mwinyi had a great sense of humor.. While presenting him our music album, he asked "Varda Arts Maridadi au Jamila?" We said, "Hakuna kama Mzee Ruksa!" The point to be noted here about his greatness is being a President, he humorously gave us a message with kind appreciation that he knew 'Varda Arts' and our songs 'Maridadi' & 'Jamila' !! When we told him "No one like Mzee Ruksa," it came out from the chore of our heart as we really meant it and was not just to please him.. I would like to share with you an incident about this great leader.. In the year 2009, our President delivered a perfect message when he preached peaceful coexistence between Muslims & Christians when a 26 year old rascal Ibrahim Said emerged from the congregation, walked up to the podium landing a slap on Mzee Mwinyi's flaccid cheek.. Our President pardoned him and did not arrest him portraying high command of tolerance.. To have such goodness and to be a good human being, there is always a price to pay.. The slap might be the cost of calmness, modesty and integrity.. Though all the religious scriptures of the world teach us tolerance, yet how many of us practically apply in our daily life? We become victim of our ego and we take revenge to satisfy ourselves against those who are identified as uncivilized ignoramus people of the Stone Age.. The Bible states : Mathew 5:38 or Luke 6:29.. "On his own part he (Jesus) was not merely slapped on the cheek..He was thrashed with sticks and all manner of straps before he was nailed on to the cross.. Yet, none of his torturers was arrested, as he expired, he asked God to forgive all.."
We pray to God to bless our country with a tolerant & humble President like Mzee Mwinyi in the forthcoming election!!
We pray to God to bless our country with a tolerant & humble President like Mzee Mwinyi in the forthcoming election!!
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